BiblioTejas Writers Conference

October 24 - October 24, 2026

8:30 a.m. – 8 p.m.

Ozuna Library

  • Palo Alto College
  • Featured
  • Faculty & Staff
  • Students
  • Arts & Culture

BiblioTejas Writers Conference is a one-day event that brings together writers, students, and literary enthusiasts for workshops, inspiring speakers, and meaningful connections, celebrating and strengthening San Antonio’s literary community.

Conference Schedule

October 24, 2026
Ozuna Library & Learning Center

8:30 – 9:30 a.m.

Welcome to BiblioTejas Writers Conference with Coffee & Pastries

Legacy Room

Attendees who have yet to register may do so at our registration area to the right upon entering Ozuna Library. Those who registered in advance should check in there as well.

After registering, guests can proceed to the Legacy Room, where coffee, water, and pastries will be provided, along with a welcome message.

9:30 – 11 a.m

Welcome with Coffee & Pastries

Legacy Room

Open

Panel

Building Bridges Through Zines and Comics: Multimodal Storytelling as Resistance

Yvonne Samuels, Viridiana Gomez, and Marilyn Garcia
Classroom 102

This panel challenges academia’s exclusive ethos by dismantling the patriarchal, elite form of knowledge that often overlooks storytelling in zines and comics. Our stories, art, and writing can become acts of activism that transcend time and space.

Poetry and Coffee with Gemini Ink

Alexandra Van de Kamp
Classroom 117

Workshop

Listening Inward/Reaching Outward

Sarah Joy Thompson
Library Collaborative Zone (upstairs)

In this generative writing workshop, we begin by viewing the body as a storykeeper and holding space for the narratives we carry. By taking time to listen to our personal narratives, we can integrate our inner lives with how we show up in the world, thereby sparking fresh ideas.

11:15 a.m. – 12:45 p.m

Reading

Flower and Song in South Texas: A Reading with FlowerSong Press

Edward Vidaurre, Paola Carrasco, Celina A. Gomez, Rodney Gomez, and Luisa Vidaurre
Legacy Room

FlowerSong is an independent press rooted in the Rio Grande Valley (TX) that amplifies voices from the borderlands and across the Americas. In this context, the reading functions not just as a performance of texts but as a community-centered literary gathering. FlowerSong events often emphasize inclusivity, dialogue, and the sharing of “essential voices,” creating spaces where writers and audiences engage in collective reflection and cultural affirmation. The thematic throughline centers on borderlands identity, cultural memory, and the blending of languages and traditions.

Panel

Discussing the Art of Fiction and Publishing Your First Novel

Rafael C. Castillo, Natalia Treviño, Ben Longoria, and Julian Garcia
Classroom 102

From the inspired spark to struggles and setbacks to a finished manuscript, this panel of three writers will answer questions and provide information on the writers’ process and the production of one’s novel. This panel is for aspiring writers of all levels.

Workshop

Water Dreaming: Grief, Repression, and Radical Hope, Writing Eco-Memoria for Uncertain Times

Anel Flores
Classroom 117

Rivers are dying and being policed at the same time — waters silenced and disappeared, just like so much else that has vanished. This workshop creates space for environmental grief and for grief caused by repression, but without falling into despair. Inspired by Ecomemoria, we gather to connect with memory and justice, one story at a time. We will sit together, practice body-vault writing, listen to a short reading from Curtains of Rain, and write eco-memoria with radical hope, every word honoring those who have suffered.
Workshop

Teen Writing Circle with Gemini Ink

Gemini Ink
Library Collaborative Zone (upstairs)

12:45 – 1:30 p.m

Break

1:30 – 2:45 p.m

Reading

Where the Poem Lives

Tiana Clark, Carrie Fountain, Charlotte Pence, and Bianca Alyssa Pérez
Legacy Room

Where the Poem Lives celebrates Texas State University’s MFA in Creative Writing by gathering four poets who are part of the TXST community: Carrie Fountain, former Texas Poet Laureate and literary curator of The Wittliff Collections; Tiana Clark, Visiting Professor and National Book Award finalist; Charlotte Pence, Academy of American Poets Laureate Fellow and MFA Director; and Bianca Alyssa Pérez, MFA program coordinator and Austin Youth Poet Laureate program mentor.

Panel

Music, Lyrics, and Poetry: A Conversation and Reading

Andrea “Vocab” Sanderson & Mandy Lynn
Classroom 102

Mandy Lynn and Andrea Vocab Sanderson are two interdisciplinary artists whose usage of musicianship, song composition, and performance poetry have taken them to stages and classrooms across the nation. In this hybrid panel/reading/discussion, they will share music and verse, discussing how music and poetry inform and inspire one another in their personal art.

Workshop

A Poetics of Self-Negation

Ed O’Casey & Jonathan Fletcher
Classroom 117

This workshop focuses on using the Apophatic Mode in the poetry of Self. In the Apophatic Mode, a poet explores what the Self isn’t: the art of illumination through negation, rather than trying to conjure the Self/Subject through direct description, comparison, or metaphor. The act of negation brings both extremes of the Other/Self duality into the conversation. To make up for the deficiencies of language, Apophatic Poetics employs absence, moving past metaphor to a broader experience of Self.

Panel

Veteran Writing Collective

Gemini Ink
Library Collaborative Zone (upstairs)

3 – 4:30 p.m

Reading

Reading with Ito Romo

Legacy Room

Panel

Open Panel

Classroom 102

Workshop

Inclusive Narratives: Visivial Poética: Translanguaging as Creative Praxis

Alejandra “Mera Mera” Sánchez Alanís
Classroom 117

Visivial Poética: Translanguaging as Creative Praxis invites participants into an immersive exploration of language as a fluid, embodied, and liberatory act. Rooted in bilingual and translingual practices, the session centers the ways writers, artists, and thinkers move between languages — not as limitation, but as expansion — activating memory, identity, and cultural inheritance through creative expression. The workshop will examine translanguaging as both a pedagogical tool and an artistic strategy, emphasizing its role in dismantling rigid linguistic hierarchies and honoring lived, hybrid realities.

Panel

Friends of Dorothy: PRIDE in Plain Sight

Chibbi, Mecca Miles, Gume Laurell III, Diamond Braxton, Cloud Cardona, & Aureleo Sans
Library Collaborative Zone (upstairs)

4:45 – 6:15 p.m

Reading

Last Writes Reading

Gerard Robledo, Josh Robbins, Richard Boada, Diamond Braxton, Miranda Ramirez, & Laurie Ann Guerrero
Legacy Room

The Last Writes Reading is a San Antonio poetry open mic series which happens once a month and is curated by Gerard Robledo, author of My Mother the Butcher. This reading will feature Gerard Robledo, Josh Robbins, Richard Boada, Diamond Braxton, Miranda Ramirez, & Laurie Ann Guerrero.

Panel
Reading
Q&A

Consider the Concha: A Reading & Discussion on Chicanx Iconography

Cloud Delfina Cardona, Bianca Alyssa Pérez, Dee Lalo Garcia, and Saúl Hernández
Classroom 102

Writers have long used Chicanx imagery such as lotería cards, La Virgen de Guadalupe, and pan dulce. New Chicanx writers explore these symbols in their work, either reimagining them or building on their meaning. Dee Lalo Garcia, Bianca Alyssa Pérez, and Saúl Hernández will read from their work and discuss their connection to these images, the challenges of Chicanx iconography, and their hopes for the future of Chicanx literature.
Panel

SA Poetry Archive Presentation

Sara Schmidt
Library Collaborative Zone (upstairs)

6:30 – 8 p.m

Reading
Discussion

Emmy Pérez

Emmy Pérez & Rooster Martinez
Legacy Room